A crucial early scene in Tar, filmed in one virtuosic take, finds Lydia in a heated argument with her student at Juilliard over separating the art from the artist, the creative value of diversity, and the changing of the canonical guards. The student in question identifies as a "BIPOC pan-gender person," which visibly rankles Lydia. She berates him until he calls her a [BEEP] and storms out. 'That's what Todd does?there are no answers to these things, but the conversation's really important, Blanchett says. She considers Carol: 'If it was made now, me not being gay would I be given public permission to play that role?' I ask if she thinks she should be. 'I don't know the answer to that,' she says.
The topic clearly weighs on Blanchett, as she understands the sensitivity around it--and the potential for saying the wrong thing. "If you and I were having a conversation [25 years ago], it would be in your publication and that was it," she says. "Now, somehow it's like these opinions get published, and Scarlett Johansson doesn't play a role that maybe she was the only person who could play it." (This likely refers to Johansson, after backlash, exiting a project in which she was to play a transgender man.) She adds, "I don't want to offend anybody. I don't want to speak for anybody else."